Star rating - 8/10
The latest adaption by Bryony Lavery of Ibsen’s 1897 play
A Doll’s House at the Royal Exchange Theatre is somehow a less claustrophobic and
sombre affair than when it was performed by the Library Theatre company in 2011. It is the story of the marriage
between Nora Helmer, who is the wife of a bank manager on the verge of a
triumphant promotion. Nora and her husband Torvald have been seemingly happily
married for eight years, and have three small children and a happy, cosy, and
idyllic home.
But Nora is hiding a secret that she has successfully
managed to keep from her husband for years. And she is forced to confront it
when she has a chance encounter from an old friend from her past. Ibsen’s views
on the position of women were radical in his day, and are still pretty
progressive now, and the events in his play still have the ability to shock.
Nora is forced to see what her doting husband really
thinks of her, and to confront what role she has been playing through their
relationship and her position in it. She is the doll of the title, and his
patronising attitude towards her becomes ever more repugnant as the play
progresses.
What makes this version special, directed here by
Exchange regular Greg Hersov, is the sparkling and compelling performance given
by Cush Jumbo as Nora. She is making her
third appearance here, and is growing in stature with each appearance. When she
first appeared in Pygmalion in 2010 she was good; by 2011 she was truly
great in As You Like It; and now she
is a real star. David Sturzaker is good as the smothering, patronising husband
Torvald, and the supporting cast are also solid. . The themes of marriage,
honesty, honour and love are explored in a relevant and important Ibsen
classic, which is just a bit too much of a safe choice for the Exchange for my
liking, as it has been done so often and so recently. However, Cush Jumbo is really worth seeing, she is mesmerising and a
very talented actor.
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