Star
rating - 9/10
Ross Raisin's new novel Waterline, like his brilliant 2008 debut God's Own Country before it, is essentially about marginalisation
from society. Whereas that was a tale set amongst the wilds of the Yorkshire
countryside, about a young man sinking into insanity, this book has a distinctly
urban setting. For it is only amid the bustle of big cities where your soul can
get truly lost.
Mick was a shipbuilder on the Clyde, in the days
when such manufacturing still survived in Glasgow. And it is the deadly fallout
from this occupation, in the form of asbestos, which has caused the death of
his wife Cathy at the outset of the novel. We get to know Mick immediately Cathy's
funeral, with distant family members unconvincingly encouraging Mick to stay in
touch afterwards:' "Don't be a
stranger now" ...The kind of thing you say to people who are strangers'.
Raisin's description of Mick's inability to cope
alone in his home is perfect in its quiet perception. Mick aimlessly gathers
piles of stuff together, that only bring back painful memories and cause him to
retreat into his shed. He is racked with guilt at the asbestos which he has
brought into their lives, and that it was Cathy and not himself who succumbed
to its lethal effects. This story is a haunting study into how a life can
unravel - how anyone can sink from living an ordinary life into near oblivion
in a few easy steps. It is something we often say - it could be any of us - but
Ross Raisin describes with pinpoint accuracy how it could actually happen
without aim or objective.
His perception into the plight of someone like
Mick, who is totally lost without his wife to guide him through the everyday decisions
of his life, is astounding. 'Best not to
think about the big picture right now, because it's just too bloody big ... and
he's too close up to be able to see it properly.' It is achingly sad to see Mick slip day by day
into destitution and desperation, despite having loving sons who would have
helped - if only they had realised there
was a problem.
Mick's dependency on Cathy is replaced by one on
Bean, a homeless guy who has a tendency to disappear without warning with bouts
of depression, then return without a word of explanation or comment. Their
experiences on the streets and hostels of their new world are interspersed with
snippets of how they are viewed by the rest of the world. It is a clever device
which jolts the reader into their own reality and helps to ask serious
questions about how we view homeless people.
This is a seriously moving and relevant story, and
is written in a confident, spare style which belies much meaning. With it, Ross
Raisin is developing into an extremely accomplished and important writer.
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