Star
rating – 7/10
Here’s the thing about creating a prequel to an
iconic film like Alien, as director
Ridley Scott has done. It needs to contain something pretty good because all the
shocks and dramatic build up of its successor are already known to the
audience. We all remember the scene where the alien life force bursts out of
John Hurt’s stomach, so nothing of that ilk, however graphic, will ever be as shocking
again.
Prometheus,
which is actually the name of the ship, is sent into space to investigate the
theory of a couple of scientists, one of whom is a devout Christian, that creatures
from elsewhere visited Earth, on the strength of their discovery of some ancient
cave paintings. The mission is made possible by the backing of a rich
corporation, and its tycoon owner, who was eager to find out the origins of
humankind.
With a title like this, referring to the Greek God
who, as legend has it, created humankind and fire alike, and with a set up
positing religious belief against atheism, I fully expected some big themes to
be explored here. But disappointingly Scott sets them up but does not really develop
them at all. And there are no long sequences with nothing much in the way of action,
but which are big on plot development, to ramp up the scare factor as in Alien. It’s wham bam thank you ma’am in
terms of getting straight into the action, and plot is the sacrificial lamb
here.
But to dwell on the positive elements of this film
for a moment, it has fantastic production values, and for the most part is well
acted. Michael Fassbender is terrific as David the robot, who is supposedly
helping the crew, but whose motives are more than a little suspect, however
sweet his demeanour. Noomi Rapace is
good as Elizabeth Shaw, the Christian scientist, even though her accent wavers disconcertingly
between American and Swedish at times. And I have to say I expected a little bit more
sympathy from her fellow crew members at the situation she finds herself in,
and how much it must have hurt afterwards – I will say no more than that on the
subject.
Scott doesn’t take the time to allow us to feel
anything for the crew, so that when the alien terror is unleashed, no real wave
of emotion or fellow feeling for them is engendered. But at least it stuck to a
couple of hours to entertain us, rather than outstaying its welcome like so
many films are want to do these days in order to be considered truly epic. This
is a good action film but not much more, which is probably more a credit to the
brilliance of Scott’s previous work, than an indictment of this one.
And before you ask, yes I saw it it 2D - I don't hold with this new fangled nonsense of adding unnecessary additional dimensions to my world. And yes I am now having doubts about my planned trip to the Isle of Skye this summer!!
And before you ask, yes I saw it it 2D - I don't hold with this new fangled nonsense of adding unnecessary additional dimensions to my world. And yes I am now having doubts about my planned trip to the Isle of Skye this summer!!
Mostly agree with the above. Much of the strength of the film comes from the creation of myth around who we are and where the aliens are from. Are we but a mote in Gods eye?
ReplyDeleteThe inevitable face hugger scenes are enough to make you hide behind your 3D glasses and what Noomi goes through come close to matching Ripley in the earlier (later?) films.
I also tend to agree with Julia's comment about the lack of empathy with the crew as they're being chomped by variants of nasty aliens.
But that said probably the second best of the series and way better than Aliens 3 and 4. But be careful what you drink and avoid that trip to the Isle of Skye!
I loved Charlize Theron as the not so icy Meredith Vickers with the "are you a robot?" chat up line.